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Eastern Connecticut Symphony Orchestra kicks off its 2018-19 season

New London – The Eastern Connecticut Symphony Orchestra began its 2018-19 season Saturday at the Garde Arts Center with trapeze-like performances of four distinctive pieces, including three rhapsodies, all of which called for intricate coordination among all four sections of the ensemble.

“It was terrifying,” one member of the orchestra could be heard saying after the performance, which was attended by about 900 people and that began at the new ECSO start time of 7:30, a half hour earlier than concerts of the past.

There were a few wobbles at the beginning as players worked out opening-night jitters, but the overall effect was masterful, as music director and conductor Toshiyuki Shimada drew out all the tempo changes and dynamic variances to enhance the drama.

The highlight of the evening had to be Sergei Rachmaninoff’s “Rhapsody on a Theme of Paganini,” Op. 43, featuring the smoking hot playing of pianist Svetlana Smolina, who came out on stage in a glittering red strapless gown so beguiling that the audience chuckled when she had to adjust her dress to be comfortable enough to sit in front of the keys.

Never letting her concentration waver, Smolina proceeded to pounce on each note with either great ferocity or eager tenderness, majestically alternating between a clump of chords and a cascade of shimmering harplike high notes.

This rhapsody is a real showpiece, with one of the most romantic melodies of all time, and the execution of the work was exquisite, Shimada wringing every last sentiment out the string section while Smolina alternately marched and gamboled up and down the keys right up until the humorous and unexpected ending.

 

The audience gave Smolina and the orchestra one of the most extended standing ovations ever during an ECSO concert.

The Rachmaninoff piece had been preceded by George Enescu’s “Romanian Rhapsody,” Opus 11, No. 1, a lively and colorful piece that proved very enjoyable, with its danceable Romanian folk melodies influenced by gypsy music, not to mention its frenetic pace. The orchestration included a piccolo solo that burst forth like a teapot whistle and had several members of the audience holding their ears, and later the circus-like tempo full of trumpet wails, cymbal crashes and kettle drum rolls kept the audience fully engaged, except for a brief interlude in the balcony when the ECSO youth orchestra and string ensemble were allowed to filter into the back of the Garde during the performance.

(It should be noted that the young people were a great addition to the orchestra as it played the national anthem to start the season, and it was wonderful to see them in the audience as well, but perhaps the ECSO should have allowed more time for them to get from the stage to their seats.)

Two other pieces on the night, Maurice Ravel’s “Rapsodie espagnole” and Christopher Rouse’s “Rapture,” were equally engaging.

"Rapture," one of the few ECSO performances featuring a living composer, is a real find, starting out as a tone poem solidified by the ostinato line of the double basses and featuring bird-like melodies in the flute section as well as the interesting juxtaposition of the bassoon and violin.

As the tempo gradually increases throughout the piece, the brass and percussion sections become more prominent, with the unusual scoring calling for a bass drum, triangle, tam-tam, chimes and glockenspiel. The unusual combinations in the percussion section combined with the gradually increasing tempo required a circus-like performance by Shimada, who brilliantly cued players and held the sections together as the piece came to its thrilling and beautiful ending.

Ravel’s masterpiece, a big and brooding homage to the composer’s Basque heritage, needed no introduction to the ECSO crowd, and as with other works on the night Shimada did not offer one, an unusual departure for the maestro. Instead, he let his players do the talking, spinning out a dramatic interpretation of the Spanish melodies, full of fire and rhythmic perfection featuring castanets and the tambourine. The final festival movement brimmed with lively playing, particularly in the woodwinds, bringing the evening to an exciting and upbeat conclusion.


 

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Music Events of Virginaa

10.05.2019

Svetlana Smolina is coming to Williamsburg Virginia for a 10 days residency, performing 3 concerts with Northern Neck String Trio and Maestro Michael Repper, and giving a masterclass.

Latest engagements

16.04.2019
December 9, 2018
Svetlana performed at Los Angeles Bing Theater together with Christopher O Riley. Their two piano concert was broadcasted  Live on Air.

January 12, 2019
Svetlana debuted at the “ Great Pianists of the World “ Steinway recital series in Illinois.

February 5-6, 2019
Svetlana attended inauguration of Irish American University’s Instructional Site The Film Scoring Academy in Europe in Dublin , Ireland.
She is appointed as the Piano Director for their new MFA program starting  in 2020 - MFA in Piano Performance / Pedagogy/ Recording in Sofia, Bulgaria.

February 18, 2019
Svetlana played Steinway piano inauguration / opening concert at the newly opened Well Spring Theater  in  Greensboro, NC

February 19, 2019 - Live performance broadcast at WDAV Classical Radio  in Charlotte, NC

February 21-24 Recitals for Chopin Project in Sarasota NC

March 8-17  Tour with South Florida Orchestra

March 23-27, 2019
Svetlana  opens Ushuaia International Festival in Ushuaia, Argentina- performances with Orquestra Filarmonica de Rio Negro +recital.

April 2, 2019 Svetlana performes concert at Trans- Siberian Art Festival in Norilsk, Russia together with Vadim Repin and Alexander Knyazev
http://www.transsiberianfestival.com/
http://gazetazp.ru/2019/50/4/

April 4, 2019 - Svetlana gives Masterclass for Trans - Siberian Art Festival in Novosibirsk, Russia for their Educational Project “ Simply meet the Star”.

April 12, 2019
Svetlana performes at 81 st Sree Ramanavani Global Music Festival with Dr. Subramaniam in Bengaluru, India

April 13-14, 2019

Recording with Dr. Subramaniam in Cochin, India

Svetlana received the highest critical acclaim after Opening of 2018-19 Season Concert with Eastern Connecticut Symphony Orchestra & Maestro Toshi Shimada

28.10.2018

"The highlight of the evening had to be Sergei Rachmaninoff “Rhapsody on a Theme of Paganini”, Op. 43, featuring the smoking hot playing of pianist Svetlana Smolina, who came out on stage in glittering red gown so beguiling that the audience chuckled when she sat in front of the keys. Never letting her concentration waver, Smolina proceeded to pounce on each note with either great ferocity or eager tenderness, majestically alternating between a clump of chords and a cascade of shimmering harp like high notes. This rhapsody is a real showpiece and the execution of the work was exquisite. Shimada wringing every last sentiment out of the string section while Smolina alternately marched and gambled up and down the keys right up until the humorous and unexpected ending.
The audience gave Smolina and the orchestra one of the most extended standing ovations ever during an ECSO concert”.
To see the full article go to:
http://ssmolina.com/index.php/en/articles-reviews

Nizhny Novgorod Interview

26.10.2018

October 25, 2018 Nizhny Novgorod Weekly News published an interview with Svetlana Smolina. The interviewer is Maria Fedotova, a music critic and a journalist.
To see the interview on the website of the Weekly News:
http://www.nnews.nnov.ru/posts/48143
or on this website:Articles & Reviews

The opening of the season 2018-2019 in Nizhny Novgorod

15.09.2018

September 19
at 18:00 in the Old hall of Nizhny Novgorod State University will host a concert from the series "Rector of Nizhny Novgorod University presents...". The concert will be attended by honored artist of Russia, artist of the State Symphony Orchestra of the Mariinsky theatre, winner of international competitions Oleg Sendetsky (cello) and laureate of Russian and international competitions Svetlana Smolina (piano).

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